PET hero still

    PET

    "We're all just animals in a cage."

    Kitty Harper

    A Kitty Harper Film

    Writer · Director

    For PET, Kitty Harper drew directly from her own life.

    She grew up in a conservative household, attending an all-girls school where the curriculum included textiles and home economics — and where skirts had to be worn below the knee so as not to draw 'unwanted male attention.' Drama, sport, and technology were not on offer.

    As she built her career as a filmmaker, she encountered the same forces in a different form: ridiculed, made to feel small, treated as an inferior in a male-dominated industry. She still experiences it.

    PET is her response. A film that doesn't explain the cage — it puts you inside it.

    Kitty Harper is an award-winning filmmaker, playwright, screenwriter and composer. Her short Ma Prison (2025) screened at Birmingham Film Festival 2025. She holds the Best LGBT Screenplay award (Chicago Script Awards) and Best Thriller (Hollywood's Monthly Film Festival), has been shortlisted for the Steven Knight Make It In Birmingham Writing Competition, and served as script reader for the BBC Writersroom.

    kittyharper.com →
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    Synopsis

    A young woman wakes in a sterile, confined space — watched, controlled, and stripped of autonomy. As she navigates an existence defined by routine and restriction, the boundaries between care and captivity dissolve. PET is a visceral allegory about societal control, gender-based oppression, and the quiet violence of being kept in your place.

    Setting: Single contained room

    Cast: The Woman (20+F), The Man (25–30M)

    Shoot: 2 days

    PET production still

    Director's Statement

    "We're all just animals in a cage, breast fed on materialism and outdated common standards. No one's free. We live in a socially repressed society where old fashioned values will always linger and be pushed upon us no matter how much we try and escape it.

    I grew up in a fairly conservative household. I went to an all girls school where we learned about textiles, home economics and how our skirts should be worn below the knee so as not to draw any unwanted male attention. We were deprived of things like drama, sports and technological education. As I got older and became more independent I came to realise how little I valued that type of lifestyle.

    I was scolded and shamed by certain family members for not having the same conservative mindset as them. When I first started working professionally I felt small and inadequate, an inferior being in a male dominated society. I've experienced my fair share of discrimination throughout the years, and I'm shamed to say that I still experience it to this day. I've been ridiculed and made to feel insignificant, all because of my assigned birth gender.

    PET is a visual depiction of these past experiences. I'm hoping it will speak to those who have experienced similar things, and raise awareness of this generalist bigotry."

    — Kitty Harper, Writer & Director

    Natalie Bark

    Natalie Bark

    IMDB →

    Producer

    Award-winning producer with a background in senior international business leadership and independent film production. Executive Producer of Exchange (2025), leading the project from development through international festival release. The film received multiple awards including Best Film Noir at the World Film Festival in Cannes, Best Experimental Film (Paris), Best Fantasy Short at the Independent Shorts Awards, and the Grand Prix at the London Horror Film Awards. Executive Producer of Ma Prison (2025), directed by Kitty Harper. Her work centres on disciplined, character-driven storytelling shaped by pressure, restraint, and moral complexity. She brings structural clarity to projects from development to release, alongside a strong instinct for audience, tone, and contemporary festival positioning.

    Danny Szam

    Danny Szam

    IMDB →

    Director of Photography | Studio 1285

    Cinematographer working across narrative film and television, known for atmospheric lighting and performance-led composition. His recent credits include Forbidden Love (2025), The Last Call (2025), Night Crimes (2024), Unforgiven (2024), and the TV mini-series Skitches: The Sketch Bitches (2023), demonstrating both genre range and consistent output. His projects reflect a high-end cinematic standard, defined by meticulous lighting, precise composition and a polished post-production finish. As founder of Studio 1285, Danny oversees the complete visual pipeline from cinematography through colour grading and final post-production, ensuring consistent visual quality from set to final master.

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